{"id":8620,"date":"2023-12-24T11:49:11","date_gmt":"2023-12-24T11:49:11","guid":{"rendered":"https:\/\/dailyai.com\/?p=8620"},"modified":"2023-12-24T11:52:04","modified_gmt":"2023-12-24T11:52:04","slug":"ai-finally-solves-the-mystery-behind-a-renaissance-painting","status":"publish","type":"post","link":"https:\/\/dailyai.com\/es\/2023\/12\/ai-finally-solves-the-mystery-behind-a-renaissance-painting\/","title":{"rendered":"La IA resuelve por fin el misterio de un cuadro renacentista"},"content":{"rendered":"

Durante siglos se ha debatido si Rafael fue o no el artista que pint\u00f3 un cuadro renacentista llamado Madonna della Rosa. Los investigadores utilizaron el aprendizaje autom\u00e1tico para resolver el misterio.<\/strong><\/p>\n

Cuando los historiadores del arte tratan de atribuir un cuadro a un artista, su decisi\u00f3n implica una serie de pruebas. Comprueban la composici\u00f3n qu\u00edmica de los materiales, hacen radiograf\u00edas, rastrean la procedencia y encargan a expertos que analicen hasta el m\u00e1s m\u00ednimo detalle de las escenas pintadas.<\/p>\n

Incluso despu\u00e9s de todo esto, algunos cuadros, como la Madonna della Rosa, siguen suscitando discusiones entre los expertos sobre qui\u00e9n los pint\u00f3.<\/p>\n

La fuerte sospecha era que el cuadro era obra del maestro renacentista Rafael, pero hab\u00eda elementos en la pintura que eran motivo de duda.<\/p>\n

La Madonna della Rosa es una pintura de Mar\u00eda, Jos\u00e9, Jes\u00fas y un beb\u00e9, Juan el Bautista. Las zonas que algunos expertos sospechan que fueron pintadas por otro artista son la cabeza de Jos\u00e9 y la rosa de la parte inferior del cuadro.<\/p>\n

Echemos un vistazo a la IA<\/h2>\n

Hassan Ugail, profesor de la Universidad de Bradford, desarroll\u00f3 un modelo de aprendizaje autom\u00e1tico para analizar el cuadro y confirmar si Rafael era realmente el artista.<\/p>\n

El modelo de Ugail utiliz\u00f3 el aprendizaje profundo por transferencia aplicado a la red neuronal profunda ResNet50. ResNet50 se utiliza mucho en tareas de reconocimiento de im\u00e1genes porque es realmente buena aprendiendo patrones complejos en im\u00e1genes.<\/p>\n

ResNet50 ya est\u00e1 preentrenado en un gran conjunto de datos de im\u00e1genes. El aprendizaje por transferencia es una t\u00e9cnica de aprendizaje autom\u00e1tico en la que un modelo desarrollado para una tarea se reutiliza como punto de partida para un modelo en una segunda tarea. Esta t\u00e9cnica es especialmente \u00fatil cuando se dispone de datos limitados para la nueva tarea.<\/p>\n

Ugail utiliz\u00f3 la ResNet50 preentrenada como punto de partida y la sigui\u00f3 entrenando con 49 pinturas que se confirm\u00f3 que eran de Rafael. Como resultado, el modelo se convirti\u00f3 en un experto en la obra de Rafael, desde sus pinceladas particulares hasta la elecci\u00f3n de colores y composiciones.<\/p>\n

Ugail afirma que el modelo puede reconocer piezas aut\u00e9nticas con una precisi\u00f3n del 98%.<\/p>\n

\u00bfQui\u00e9n lo pint\u00f3?<\/h2>\n

Cuando los investigadores aplicaron el modelo a la Madonna della Rosa, sugirieron que s\u00f3lo hab\u00eda una probabilidad 60% de que fuera obra de Rafael.<\/p>\n

No son buenas noticias para la pinacoteca madrile\u00f1a del Prado, que insiste en que su cuadro es una obra aut\u00e9ntica de Rafael.<\/p>\n

Cuando se utiliz\u00f3 el modelo para analizar zonas concretas del cuadro, surgi\u00f3 la verdad que se ocultaba tras su creador.<\/p>\n

\"\"
Partes del cuadro Madonna della Rosa identificadas para su an\u00e1lisis individual. (Imagen reproducida bajo licencia de dominio p\u00fablico de Wikimedia Commons - Rafael artista QS:P170,Q5597 (https:\/\/commons.wikimedia.org\/wiki\/File:Raffaello_Santi_-_Madonna_della_Rosa_(Prado).jpg), \"Raffaello Santi - Madonna della Rosa (Prado)\") Fuente: Revista Heritage Science<\/a><\/figcaption><\/figure>\n

El modelo concluy\u00f3 que las zonas que incorporaban a Mar\u00eda, Jes\u00fas, Juan el Bautista, e incluso la sospechosa rosa, ten\u00edan una probabilidad 90% de haber sido pintadas por Rafael.<\/p>\n

Como se sospechaba, la cabeza de Jos\u00e9 fue probablemente pintada por un artista diferente, ya que el modelo le daba una probabilidad inferior a 40% de ser obra de Rafael. Cuando un visitante de la pinacoteca del Prado pregunta si Rafael fue realmente el artista que pint\u00f3 esta obra, el conservador puede responder con confianza: \"Casi siempre\".<\/p>\n

Coautor de el papel<\/a>En palabras del profesor Edwards, catedr\u00e1tico em\u00e9rito de Espectroscopia Molecular de la Universidad de Bradford: \"El an\u00e1lisis de nuestro trabajo con el programa de inteligencia artificial ha demostrado de forma concluyente que, mientras que las tres figuras de la Virgen, el Ni\u00f1o Jes\u00fas y San Juan Bautista son inequ\u00edvocamente obra de Rafael, la de San Jos\u00e9 no lo es y ha sido pintada por otra persona, posiblemente por Romano, como creen zur Capellen y otros\".<\/p>\n

Esta investigaci\u00f3n podr\u00eda aplicarse a otras obras controvertidas siempre que haya suficientes ejemplos de obras confirmadas para utilizar como conjunto de datos de entrenamiento. El coautor, el profesor Christopher Brooke, de la Universidad de Nottingham, afirm\u00f3 que este novedoso m\u00e9todo de atribuci\u00f3n de obras de arte \"es adaptable en el sentido de que las obras de otros artistas pueden examinarse utilizando la misma t\u00e9cnica, y este es el objetivo de futuras investigaciones\".<\/p>\n

Es poco probable que la IA ocupe puestos de historiadores del arte y no se puede confiar exclusivamente en este m\u00e9todo para determinar la atribuci\u00f3n correcta de obras de arte.<\/p>\n

David G. Stork, catedr\u00e1tico adjunto de la Universidad de Stanford y coautor del art\u00edculo, afirma: \"Los m\u00e9todos inform\u00e1ticos est\u00e1n demostrando poco a poco que pueden ayudar a los estudios human\u00edsticos tradicionales del arte, pero siempre deben emplearse con un profundo conocimiento del contexto hist\u00f3rico del arte, y sus resultados deben entenderse e interpretarse en el contexto m\u00e1s amplio de los conocimientos art\u00edsticos pertinentes para el problema en cuesti\u00f3n\".<\/p>\n

El aprendizaje autom\u00e1tico no sustituir\u00e1 a los historiadores del arte, pero ser\u00e1 de gran ayuda para zanjar algunas viejas discusiones.<\/p>","protected":false},"excerpt":{"rendered":"

Durante siglos se ha debatido si Rafael fue o no el artista autor de un cuadro renacentista llamado Madonna della Rosa. Los investigadores han utilizado el aprendizaje autom\u00e1tico para resolver el misterio. Cuando los historiadores del arte tratan de atribuir un cuadro a un artista, su decisi\u00f3n implica una serie de pruebas. Comprueban la composici\u00f3n qu\u00edmica de los materiales, hacen radiograf\u00edas, rastrean la procedencia y piden a expertos que analicen hasta el m\u00e1s m\u00ednimo detalle de las escenas pintadas. Incluso despu\u00e9s de todo esto, algunos cuadros, como la Madonna della Rosa, siguen suscitando discusiones entre los expertos sobre qui\u00e9n los pint\u00f3. El fuerte<\/p>","protected":false},"author":6,"featured_media":8624,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84],"tags":[150,105],"class_list":["post-8620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-industry","tag-ai-benefits","tag-machine-learning"],"yoast_head":"\nAI finally solves the mystery behind a Renaissance painting | DailyAI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dailyai.com\/es\/2023\/12\/ai-finally-solves-the-mystery-behind-a-renaissance-painting\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AI finally solves the mystery behind a Renaissance painting | DailyAI\" \/>\n<meta property=\"og:description\" content=\"For centuries the debate has been ongoing as to whether or not Raphael was indeed the artist behind a Renaissance painting called Madonna della Rosa. Researchers used machine learning to solve the mystery. When art historians endeavor to attribute a painting to an artist their decision involves a host of tests. They check the chemical makeup of the materials, take X-ray scans, track down the provenance, and have experts pore over the minutest details in the painted scenes. Even after all of that, some paintings like the Madonna della Rosa still have experts arguing over who painted it. 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